Spitfire
Design Philosophy
“Sounds Like An Amp!”


Qualities
Performance Points Pick Attack – Very sensitive input. Very expressive with pick English High input impedance (5 meg) works well with any pickup whether high or low output. The Spitfire will render the delicate resonances of your guitar for optimal tone.

Not a “Distortion” pedal – The focus is on overdrive tone instead of over-the-top hard clip. Smooth transition from Clean to Compressed Crunch with a bit hair. Drive breakup is controlled by your volume on the guitar. Transitions like a thoroughbred tube amp. The Spitfire has a bit of vintage British tone.

Harmonic amplitude and phase – Careful attention was given to the creation and phasing of multiple layers of harmonics and their time domain symmetry to the fundamental signal. Careful metering of harmonic amplitude reduces rattle and spit as they are introduced into the signal. Correct phasing of the harmonics maintains integrity of the fundamental. This phase integrity becomes apparent when playing complex chords. The drive controls the Symmetry, (or asymmetry), of the amplitude of the harmonics.

Gain – Two class A gain stages, 30db input gain compressed to 15db max overall gain.

Keep it Simple! - All FX Engineering pedals have the KISS philosophy. Set the Spitfire controls to 12:00 and Play!

Note: The DRV control crackles when turned. This is normal as designed.